Toolkit protocol: organising a stocktaking exercise

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Toolkit protocol: organising a stocktaking exercise

For any engagement process to be successful, it is necessary to build on a comprehensive understanding of the issue at hand and the work done thus far. A thorough stock-taking will help you better respond to the local situation, and you will avoid reinventing the wheel. But bear in mind that such background study is not just for you as an organiser. Ideally you will share an introductory overview of the issue with participants before the event.

 

Areas to investigate

Getting familiar with narratives

One aspect of stock taking we would like to spend more time on is a basic understanding of ideas about pollinators that circulate in the public space. Whether you look at scientific papers, agricultural magazines, gardening blogs, industry statements or social media posts, they all present pollinators and issues associated with them (impact of climate change of the movement of species; using commercially available bumblebee colonies; selecting prettiest and bee friendly flowers; negligent impact of pesticides on insects when administered in the right way; complaints about a new way to manage green spaces in a local park) in a particular light. They pick some actors, events, relationships, facts, causal relations, arguments and tie them together in a particular way. As such, they all use narratives.  

A narrative, in a most basic sense, is a particular presentation of the world, its inhabitants and events. We all make use of narratives all the time. Most of the time we do it unconsciously as we tell stories about events, and it is a way of telling others what is important to us and why. In other instances (political speeches, industry catalogues) narratives can used strategically to achieve specific impact. They are also a way to articulate values, identities, visions, aspirations and beliefs. Because narratives always exclude some aspects of reality, they foreground particular ways of seeing, understanding and interpreting the world.  

Through a narrative analysis you can unpack both the implicit assumptions on which we build our lives and the intentional attempts to present events and actions in a particular light. You will understand what is important to whom, why, based on what assumptions. This is done not to select and then repat a specific narrative. Participatory processes are very much about putting narratives in a constructive dialogue, which might include questioning their assumptions, reflecting on tensions between them, identifying points of contact, imagining their consequences. Hence, being aware of the dominant narratives you will be able to challenge them during the process, this way eventually expanding the terms of the debate. 

A narrative analysis is something that you can do as an organiser – or together with participants (see Stock-Taking Stories and Blueprint 1). Whatever the case, there are some initial considerations:    

  • How does the narrative analysis connect to the purpose of your process? If you run a co-creation project for a local park, the purpose of narrative analysis will likely be to understand the concerns of different groups of citizens. If you run a deliberation process on the pesticides use in agriculture, you should carefully analyse stakeholders’ public communication campaigns to understand the way they strategically used narratives to push their respective agendas – and how this could have impacted the public debate.     
  • Having determined the purpose, you should consider the scope of resources: Will you focus on general media or also include specialised media? If you will be including specific groups like, e.g., farmers, then looking at agricultural magazines will be important. Will you look at national media or local – or international? Even if you are doing a very local process, it is likely that people are exposed to national media as well. A comparison between the two levels might be good to understand the local specificity. Will you look at digital or 'traditional' media? Plenty of local communication has moved online to places like social media groups. If you engage with elderly, on the other hand, they might be only exposed to print, TV or radio. 

How to carry out a narrative analysis? This will depend on how extensive you need the analysis to be. If your topic is very sensitive and you want to know exactly what kind of narratives are intentionally promoted, sometimes to spread disinformation, you might want to collaborate with an expert. Many academics specialise in narrative analysis, and they will be able to advise you on the protocol and work with you to carry it out. For most other purposes, were you want to get a general idea of the state of the public debate on an issue, it will be enough carefully read the selection of texts you decided on, paying attention to the following aspects: 

  • Who are the actors mentioned? What do they do? What are their concerns, motivations, aims? How do they relate to pollinators? 
  • How are pollinators described? Which terms and concepts are used? 
  • Why are pollinators important? E.g., food security, ecological meltdown, loss of income, responsibility to future generations? 
  • What happens to the actors and pollinators? What are the events and situations being described? Why are they important? 
  • Where are the events unfolding? Why are these places important? 
  • What needs to be done? Why? What is the promise behind this? 
  • What metaphors are used? 
  • What is not said? 

Pay attention to recurring patters in the use of the above elements. E.g., are some actors always described in the same way, are they always seen as engaging in same actions? Are the places or events described using particular terms? If metaphors are used in descriptions – why is that? What do they communicate? These questions relate to the texts themselves. But it is just as interesting, however, to take a step back and ask: Who are the authors of the texts? Who are their audiences? Where are the texts published? This way you can also start understanding not only what the narratives are, but also who promotes them and to which audiences. 

Continue exploring the protocol